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Masahiro Makino : ウィキペディア英語版 | Masahiro Makino
was a Japanese film director. He directed more than 260 films, primarily in the chanbara and yakuza genres. His real name was Masatada (), but he took the stage name Masahiro, the kanji for which he changed multiple times (including , , and ). ==Career== Masahiro Makino was born in Kyoto, the eldest son of the film director and producer Shōzō Makino, who is often called the father of Japanese cinema.〔 As a boy he began acting in films before debuting as a film director in 1926 at age 18.〔(【引用サイトリンク】url=http://www.momat.go.jp/FC/NFC_Calendar/2008-03/kaisetsu.html )〕 His critically acclaimed nihilistic jidaigeki such as ''Roningai'' (1928) made him one of the top Japanese film directors,〔 but his way of shooting films quickly also earned him detractors. For instance, the total time it took to shoot the 1936 film ''Edo no Ka Oshō'' was only 28 hours. The critic Sadao Yamane, however, has argued that this fast filming practice also contributed to Makino's speedy, rhythmic film style.〔 Rhythm and tempo are important to his films, and so in his ''jidaigeki'', fight scenes like in ''Kettō Takadanobaba'' (1937) could seem like dances, or entire sequences, like in ''Awa no Odoriko'' (1941), could be filled with dance. He made musicals like ''Singing Lovebirds'' (1939) and even his wartime propaganda films like ''Hanako-san'' and ''Ahen senso'' (both 1943) could have Busby Berkeley-like musical numbers. After the war, he helmed such popular ''jidaigeki'' series as ''Jirōchō Sangokushi'' and such ninkyō eiga series as ''Nihon Kyōkaku-den''. He directed his last film in 1972, the retirement film for Junko Fuji, completing a filmography that totaled over 260 films and included films of many genres.
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